Deadline for abstracts: Jan. 15, 2023
Deadline for essays April 15, 2023
When we are in the throes of major crises, from the global pandemic to a pending climate apocalypse, thinking about a different tomorrow may feel impossible. Designing alternative futures has become one of the central cultural tasks of the twenty-first century, and Indigenous North American writers, visual artists, curators, comedians, film makers, video game designers, and web developers are at the forefront of this movement. From pre-contact stories to contemporary science fiction, Indigenous cultures abound with visions of the future as sites of “survivance” (Gerald Vizenor). While settler colonialist imaginaries of progress have, for the longest time, strategically displaced Native cultures into a fixed, containable past, Indigenous literatures and cultures not only successfully defy these mechanisms of Othering but offer sustainable variants of futurity in powerful networks of transnational exchange.
Simultaneously, futurity is not only a concept and theme, but an active process towards empowerment and social change, a methodology that foregrounds and centers Indigenous knowledges. As Mvskoke geographer Laura Harjo puts it, Indigenous futurity is “the enactment of theories and practices that activate our ancestors’ unrealized possibilities, the act of living out the futures we wish for in a contemporary moment, and the creation of the conditions for these futures.”1
