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Appel à articles N°94 (juin 2023) Etudes canadiennes : 70 ans après le Rapport Massey : État des lieux de la culture et des politiques culturelles au Canada

Deadline: December 1, 2022

The journal Études Canadiennes/Canadian Studies is pleased to announce a special issue on Canada’s cultural policies directed by Guest Editor Dr. Sandrine Ferré-Rode (Université de Versailles-Saint-Quentin-en-Yvelines), in association with Editor-in-Chief Dr. Laurence Cros (Université Paris Cité). Seventy years ago, the Report of the Royal Commission on National Development in the Arts, Letters and Sciences 1949-1951 , headed by Vincent Massey, was published. It was both the first investigation of the state of the arts and culture as well as cultural policies in Canada, and the first major plea in favor of a strategic and financial support from the federal government for culture and cultural institutions across the country. The objectives of this special issue are to take both a retrospective and prospective look at the state of cult ure and cultural policies in Canada. This will contribute to assessing the state of knowledge on the following topics, among others:

− the role played in defining objectives and priorities in Canadian cultural policy-making by the Massey Report and later reports like the Reports of the Federal Cultural Policy Review Committee (commonly known as the Applebaum-Hébert Reports) of 1981 and 1982 or, more recently, Justin Trudeau government’s Creative Canada Strategic Framework (2017);

− the history and role of cultural and heritage institutions in Canada before and after the Massey Report, but also the history and role of private foundations, corporate sponsorship and voluntary associations in culture and the arts in Canada;

− the evolution of public policies in the cultural field at the federal level, but also at the provincial level (intensified in particular by the Mulroney government in the 1980s) and at the municipal level (with the creation of Arts Councils in major Canadian cities, Public Art programs, etc.);

− the evolution of the condition of artists and creators in Canada, the impact of public policies on their agency and the role of defense associations like CARFAC (founded in 1968);

− the development of indigenous arts and culture, as well as indigenous cultural institutions ;

− the impact of free trade agreements on cultural public policies in Canada, and Canada’s leading role in championing “cultural exemption,” especially since the Mont real Declaration of 2005;

− Canada’s role in the definition and practice of cultural diplomacy (soft power).

Proposals are to be sent as a single document (Word format), to both editors (sandrine.ferre-rode@uvsq.fr and laurence.cros@u-paris.fr ), and should contain:

-a working title and an abstract (250 to 300 words )

– a brief biography (no more than 100 words).

The deadline for submission of proposals is December 1st, 2022. Notification of decisions will follow shortly afterwards.

Full articles (about 8,000 words) will need to be submitted by February 1st, 2023.

Articles should follow the formatting guide of the journal, available at https://journals.openedition.org/eccs/369

Articles will be submitted to a double peer-review process. For their articles to be published, authors must be members of the French Association of Canadian Studies (AFEC – https://www.afec33.asso.fr/ ). Selected articles will be published in issue 94 (June 2023) of Études Canadiennes/Canadian Studies , simultaneously in printed form and as an electronic publication (open access) on https://journals.openedition.org/eccs/.

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Aktuelles Call for Papers

CFP International Workshop: Food and Body in Colonial Contexts in Pre-modern Times (1600-1900)

University of Regensburg, Regensburg/Germany

May 4-6, 2023

Deadline: November 15, 2022

https://www.hsozkult.de/event/id/event-130213?language=en

Colonization and exploration of the non-European territories was an inherently bodily experience. Arrival to new lands meant encountering strange climates, nature, and bodies. Those physical differences had to be given a theoretical footing. Food and diet became central arguments to underscore and explain the physical and cultural differences between Europeans and indigenous people, as well as to claim Europeans’ supremacy over the inhabitants of the conquered lands. Indigenous foodways have typically been depicted as inedible, unclean, disgusting, uncivilized and improper for a European body, the maintenance of which became one of the primary imperial concerns. Thus, the physical survival of Europeans on colonial frontiers was tightly intertwined with the preservation of their cultural and religious (most often Christian) identities. Failure to keep colonial difference in place produced concerns about “barbarization”, “going native” and “hybridization” that were believed to endanger colonial regimes and the legitimacy of their claims of physical, cultural and racial supremacy over the colonized bodies.

Notwithstanding the efforts to maintain a dietary distance between newcomers and indigenous people, colonialism inevitably resulted in alteration in diets on both sides. While European foodways were often used as instruments of cultivating untamed lands as well as “civilizing” the manners of its inhabitants, many indigenous plants and recipes were adopted into European diets, opening a path to what subsequently became called the Columbian exchange and colonial food chains. In addition to foodstuffs and products, indigenous knowledge about the nourishing environment has been expropriated and integrated into the European body of knowledge.

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Aktuelles Call for Papers

CFP Association for Art History – Session: Against the Nation: Rethinking Canadian Art History in the World

Deadline for submissions: November 4, 2022

2023 Annual Conference

University College London, London/UK

12-14 April 2023

https://forarthistory.org.uk/conference/2023-annual-conference/

Session: Against the Nation: Rethinking Canadian Art History in the World

The history of Canadian art is a transnational history. Canadian art historiography, however, is strongly rooted in national narratives. As a settler-colonial nation, the country itself cuts across dispersed territories of First Nations, Métis, and Inuit peoples. Taken one way, the prefix trans in transnational — which signals many possible relationships across, between, and beyond geopolitical national boundaries, as well as those that fundamentally challenge or change them — describes the material and epistemic violence of Canada’s formation. Taken another way, it offers a methodology for unsettling colony-to-nation narratives of Canadian art history and for thinking about the relationships between art, nation, and nationhood, and between local, regional, and global cultures, in new ways. Reframing Canadian art history in light of global networks focuses on the exchange and flow of ideas, peoples, artistic connections, and institutions beyond political borders.

Please see full call for papers for submission guidelines: https://forarthistory.org.uk/conference/2023-annual-conference/

Contact Info:

Jennifer Kennedy, Queen’s University, Ontario, Canada, jen.kennedy@queensu.ca

Devon Smither, University of Lethbridge, Alberta, Canada, devon.smither@uleth.ca

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Aktuelles Call for Papers

CFP Annual Conference of the German Association for Postcolonial Studies (GAPS): Postcolonial Infrastructure

University of Konstanz, 18-20 May 2023

Deadline: December 31, 2022

Mobility systems, urban planning, markets, educational facilities, digital appliances: infrastructure organizes social life, assigns subject positions, and enables or prevents cultural exchange. Yet its powerful role often goes unnoticed as most infrastructure is designed to recede into the half-conscious background of daily life. In recent years, researchers in several fields have begun to uncover the sociopolitical hierarchies and resistant forces at work in the construction, maintenance, transformation, and dismantling of infrastructure. Postcolonial studies has much to contribute to this research—and vice versa.

After all, colonization is itself a large-scale infrastructure project. Both historically and systemically, colonization involves the transcultural transfer of military, political, economic, legal, social, and other infrastructure, and the destruction of indigenous infrastructure, in order to establish and maintain power over colonized peoples. As Édouard Glissant remarks, today’s infrastructures are “products of structures inherited from colonization, which no adjustment of parity (between the former colony and the former home country) and, moreover, no planning of an ideological order has been able to remedy.” Scholars in postcolonial studies have therefore begun to analyze infrastructure as a form of “planned violence” (Boehmer and Davies). At the same time, infrastructure can function as a social good that fosters relations and enables alternative forms of sociality. Access to infrastructure thus confers privilege, regulates participation, and erects hierarchies. In the decolonial struggle, infrastructure has therefore emerged as a key site and means of resistance. These infrastructural dynamics require analytic approaches from the humanities, and especially from postcolonial studies, because they unfold centrally on a cultural level.

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Aktuelles Call for Papers

CFP Native American Indigenous Studies Association: NAISA Twelfth Annual Meeting

Toronto/Tkaronto, ON/Canada

May 11-13, 2023

Deadline: November 15, 2022

Tkaronto has been home of Haudenosaunee and Anishinaabe peoples since time immemorial and part of the original homelands of the Wendat people. We invite people to the NAISA 2023 meeting in Tkaronto, a place that is both lands and waters. We invite you into a good way of being and thinking in relation with lands, more than human and human kinship, while visiting us here. We hope that our gathering is both about the future and about remembrance. In our planning of this meeting, we have been considering the following prompts: How do we practice consent? How do we gather in a good way? How do we show care? While we do not ask that you directly address these prompts in your proposal, we encourage you to consider these questions as you begin to plan your time at the conference.

The NAISA Council invites all persons working in Native American and Indigenous Studies to submit proposals for: Individual papers, panel sessions, roundtables, or creative works/film screenings. We welcome proposals from faculty and students in colleges, universities, and tribal colleges; from community-based scholars and elders; and from professionals working in the field. We encourage proposals relating to Indigenous community-driven scholarship.

The deadline for proposal submissions is November 15, 2022, 11:59 pm EDT. Only complete proposals submitted through the online Abstract Collector before the deadline will receive consideration. Please read the Instructions for Preparing Proposals (below and on the submissions website) carefully before submitting your proposals.