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Aktuelles Call for Papers

Call for Article Submissions: WSQ: Protest

One way of telling the story of feminism is to tell it as a story of protest: protest against, protest for, protest within. In this issue, we invite contributors to reflect on the histories, presents, and futures of protest through a feminist lens.

The current moment is often hailed as „the age of protest,“ one in which the recent women’s marches, originating in the US but soon spreading globally, were seen to be a culmination. Such declarations, however, depend on a very particular notion of what counts as protest, and indeed feminist protest, often reifying the global North as an originary site of feminist protest; or disregarding movements that do not explicitly foreground gender or women as their primary agenda.

We contend that popular „age of protest“ narratives risk obscuring other key moments and sites of long standing protest, particularly when led by racialized or otherwise minoritized populations. The rich histories of centuries of protest by working class and poor women, immigrant women, women of color, and anticolonial, indigenous and transnational feminists still remain understudied. And yet, it is difficult to deny that globally, protest has been revitalized by mass participation on a larger scope than has been seen in the almost two decades since massive protests spawned global networks that came to be known as the alterglobalization movement. Such protests have been diverse in issues and tactics – from the revolutions of the Arab Spring, to the ceaseless protests in Kashmir against Indian occupation, to the anti-rape protests in India, to the #niunamas and anti-femicide movements in Latin America, to the Women’s Marches, BlackLivesMatter movement, Dalit women’s self-respect marches, Idle No More and the protests against the Dakota Access Pipeline in the US and Canada, to name only a select few of a plethora of protests globally that have thrown up key questions for feminism. Beyond the streets, the digital domain has been a lively site of protest and organizing, particularly in zones where the presence of protesting bodies on the streets may be met with deadly violence. We invite our contributors to think broadly and critically about the relationship between feminism and protest as one that emerges from multiple and overlapping locations and communities, on and beyond space of „the streets.“

See the full CfP here.

Deadline for submission of full articles: Sept. 15, 2017.

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Aktuelles Neuerscheinungen

New Publication: The Same but Different: Hockey in Quebec

edited by Jason Blake and Andrew C. Holman

From coast to coast, hockey is played, watched, loved, and detested, but it means something different in Quebec. Although much of English Canada believes that hockey is a fanatically followed social unifier in the French-speaking province, in reality it has always been politicized, divided, and troubled by religion, class, gender, and language. In The Same but Different, writers from inside and outside Quebec assess the game’s history and culture in the province from the nineteenth century to the present. This volume surveys the past and present uses of hockey and how it has been represented in literature, drama, television, and autobiography. While the legendary Montreal Canadiens loom throughout the book’s chapters, the collection also discusses Quebecers’ favourite sport beyond the team’s shadow. Employing a broad range of approaches including study of gender, memory, and culture, the authors examine how hockey has become a lightning rod for discussions about Québécois identity. Hockey reveals much about Quebec and its relationship with the rest of Canada. The Same but Different brings new insights into the celebrated game as a site for community engagement, social conflict, and national expression.

For further details, see here.

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Aktuelles Neuerscheinungen

New Publication: TransCanadian Feminist Fictions: New Cross-Border Ethics

 by Libe García Zarranz

In this contradictory era of uneven globalization, borders multiply yet fantasies of borderlessness prevail. Particularly since September 11th, this paradox has shaped deeply the lives of border-crossing subjects such as the queer, the refugee, and the activist within and beyond Canadian frontiers. In search of creative ways to engage with the conundrums related to how borders mould social and bodily space, Libe García Zarranz formulates a new cross-border ethic through post-9/11 feminist and queer transnational writing in Canada. Drawing on material feminism, critical race studies, non-humanist philosophy, and affect theory, she proposes a renewed understanding of relationality beyond the lethal binaries that saturate everyday life. TransCanadian Feminist Fictions considers the corporeal, biopolitical, and affective dimensions of border crossing in the works of Dionne Brand, Emma Donoghue, Hiromi Goto, and Larissa Lai. Intersecting the genres of memoir, fiction, poetry, and young adult literature, García Zarranz shows how these texts address the permeability of boundaries and consider the ethical implications for minoritized populations. Urging readers to question the proclaimed glamours of globality, TransCanadian Feminist Fictions responds to a time of increasing inequality, mounting racism, and feminist backlash.

For further details, see here and here.

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Aktuelles Neuerscheinungen

New Publication: Canada’s Constitutional Democracy: The 150th Anniversary Celebration

edited by Errol Mendes

A landmark constitutional law and history text as evidenced by the words of the Chief Justice of Canada and the Governor General in the forewords to the text which celebrates the 150th anniversary of Canada’s Confederation through a range of perspectives from Canada’s leading legal minds on constitutional law. The editor will be on sabbatical at the European University Institute in Florence in the first half of 2018 and would be happy to visit Canadian Studies research centers to speak about the book.

Preorder information: http://bit.ly/2hFyGcr

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Call for Papers

CfP: KANADA KONCRETE: Verbi-Voco-Visual Poetries in the Multimedia Age

The Canadian Literature Symposium, Department of English, University of Ottawa, May 4-6, 2018

Arguably, there have never been more opportunities for poetry to live ‘off the page.’ Over the last 20 years, the radical proliferation and expansion of online social media, media-sharing sites, web-based archives, blogs, vlogs, institutional web-pages and the like have made archiving, accessing, and distributing poetry easier than ever before. The multi-media possibilities of the web, the optic flexibility of digital books, the ability to record image and sound cheaply and share that material quickly and widely over a variety of platforms, have drastically undermined poets’ dependence on the page and print-based forms of distribution. One needn’t be a technological determinist to acknowledge that something has changed in the manner we encounter ‘poetry.’ To what extent, though, have these technological changes transformed the forms and functions of poetry as such? Have they, for instance, finally produced the necessary conditions for truly ‘verbi-voco-visual’ work, a one-time dream of the modernist avant-garde?  Have multimedia forms of poetry displaced more traditional forms and formats, or do they operate alongside print journals and books—mere addenda to an essentially unchanged institutionalized discourse? How has Canadian poetry, in particular, exploited (or perhaps ignored) the available material supports for innovations in form, format, and dissemination?  Kanada Koncrete will explore these questions over three days, May 4-6, 2018.

For the full CfP: http://artsites.uottawa.ca/canlit-symposium/en/callforpapers/

Abstract Submission Deadline: Sept. 25, 2017