Tentative programme for the 2022 Academic Conference on Canadian Science Fiction and Fantasy (ACCSFF) is now available here. ACCSFF ’22 will take place from June 3-4, 2022.
Tentative programme for the 2022 Academic Conference on Canadian Science Fiction and Fantasy (ACCSFF) is now available here. ACCSFF ’22 will take place from June 3-4, 2022.
Johannes Gutenberg-University, Mainz/Germany
July 6-9, 2022
http://www.transnationalperiodicalcultures.net/indigenous-print-cultures-media-and-literatures/
Location:
Hosted by the Obama Institute for Transnational American Studies and the Humanities Research Center at Virginia Commonwealth University (VCU)
We are delighted to welcome you to Mainz in July this year for the “Indigenous Print Cultures, Media, and Literatures” Symposium, co-organized by the Obama Institute at JGU and the Humanities Research Center at VCU. Please find the tentative program below or download it here: http://www.transnationalperiodicalcultures.net/wp-content/uploads/MAINZ-SYMPOSIUM_6-9-JULY-2022_PROGRAM-DRAFT.docx
1. Présentation du Congrès de l’Institut des Amériques
Chaque année depuis 2002, l’Institut des Amériques (IdA) organise un colloque international sur une thématique phare.
Afin d’embrasser des thématiques plus variées et de promouvoir le dialogue le plus large possible dans les études interaméricaines ou comparatistes, l’IdA a choisi d’organiser un congrès biennal, ambitieux, sensible aux nouveaux paradigmes en sciences sociales ainsi qu’à la transformation des savoirs en politiques publiques, convivial et ouvert sur des manifestations culturelles.
Together, Dr. Renae Watchman and Dr. ku’ualoha ho’omanawanui are co–editing an upcoming edition of Gale’s Dictionary of Literary Biography (DLB) that will focus on Contemporary Indigenous Writers (this is a working title once we finalize contributors).
Highlighting Indigenous writers is a magnanimous task. Because Gale has already published select biographies of authors up to 1999, and because of the recent publication of the Indigenous poetry anthology, When the Light of the World Was Subdued, Our Songs Came Through edited by Joy Harjo in 2020, we made the difficult decision to highlight writers who have published fiction and short stories in the 21st century. While we recognize the impossibility of acknowledging everyone who makes up the constellation of literary talent, we have come up with a working Table of Contents for the upcoming DLB and are seeking to fill many gaps (in terms of contributors). We hope to attract contributors who teach and work in Indigenous literary arts.
If you’re interested in this project, please refer to the working TOC below and send us your
name, institutional affiliation, and author preference. You may select more than one! We will respond and confirm your choice. In the event of overlaps, we will consult before deciding. Entry length will vary, but you can expect to write anywhere from 3000–10K words. For now, we have allocated most authors at 3000 words to allow for more coverage. If, by the end of April, some writers have not been assigned, we will rethink word–length and inclusion.
Proposed Timeline:
• confirmation of contributors May 15, 2022
• July 1, 2022: your draft contribution due.
• mid–September 2022: we will return these back to you with editorial comments.
• Mid–November 2022: final revisions due.
• We are aiming to submit a complete DLB anthology by the end of December 2022 for
publication in 2023.
If you commit as a contributor, we will follow up with more specifics, including a sample
biographic entry from a previous DLB edition, as well as a contract from Gale.
mahalo, ahéhee‘, thank you for your consideration,
Renae Watchman and ku’ualoha ho’omanawanui
renae@mcmaster.ca and kuualoha@hawaii.edu
Extended deadline for abstracts: April 30, 2022
September 21-23 , 2022 at University of Białystok, Poland
The 9th Congress of Polish Canadianists / 9ème Congrès des Canadianistes Polonais
In the midst of global Covid-19 pandemic, not only Canada, but all the states, experienced challenges they had never faced before. The crisis forced individuals, communities and countries to rethink and question the way modern societies operate on manifold levels. The strain put on health care, education and welfare systems has significantly reshuffled the workplace and family dynamics, exacerbating existing inequalities related to gender, class and ethnicity and affecting communities of colour, as well as other disadvantaged, marginalized and excluded groups in a disproportionate manner. Confined to their homes, many people have found perpetual isolation overwhelming and experienced long-term psychological impacts. As a response to these feelings of exclusion, on both individual and collective levels, new ways of connecting with others have emerged, giving rise to as varied new phenomena as zoom meetings, online panel discussions, workshops and conferences, virtual support groups, and digital cultural initiatives, including exhibitions, concerts, performances and other live-stream events. The economic discrepancies and social injustice aggravated by the pandemic as well as attempts to foster a sense of belonging make us reflect upon past and present forms of exclusion and inclusion.