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Aktuelles Call for Papers

CFP (Un-)Making Canada: Fragmentations, Contestations, Reconciliations / (Dé)Faire le Canada : Fragmentations, contestations, réconciliations

September 29-30, 2022 at Paderborn University & Online

Deadline: August 1, 2022

Download the CFP here

Canada has successfully defied definition for centuries. And yet, as a young and most
diverse country relying on immigration to maintain population growth, questions of what
Canada is, was, has, and will become are of utmost importance to many of its inhabitants
and its governmental institutions alike. With the theme „(Un-)Making Canada“, the 19th
annual conference of the Emerging Scholars‘ Forum of the Association for Canadian Studies in German-Speaking Countries will inquire into practices of fragmentation, contestation, and reconciliation that have (in-)formed Canada’s political institutions and systems as well as processes and strategies of identity-building, community formations, and nation-making.
As a country, what is now Canada has been shaped by conflicting and overlapping federal,
provincial, municipal, and Indigenous jurisdictions, its transition from Indigenous
self-government through French and British colonial rule to a confederation of provinces and territories, and it continues to be characterized by increasing transnational mobility and the challenges of an increasing movement/ongoing flow of refugees and migrants. In an era of resurgent conservatism, and growing numbers of physical, social, and political attacks on, for instance, ethnic racial, cultural, linguistic, and religious minorities, this conference is devoted to examining historical perspectives as well as the role of current events and crises (e.g., COVID-19, the war in Ukraine, etc.) in the fragmentation, contestation, reconciliation, or general negotiation of Canadian political, societal, and cultural issues and identities.
In recent years, a wide range of social and protest movements have erupted across Canada
(e.g., Black Lives Matter, Idle No More Indigenous sovereignty, Missing and Murdered
Indigenous Women and Girls, Me Too, or movements surrounding womxn’s and
2SLGBTQIA+ rights). Most recently, the COVID-19 pandemic and the uncovering discovery of unmarked mass grave sites near Canadian residential schools have rendered visible and intensified racial, gender, and socioeconomic inequities/injustices inequalities in urban and rural areas. Uneven responses to COVID-19 across provinces problematized Canadian notions of equality and universal access to healthcare, and, along with the effects of the global economic crisis (e.g., unemployment, bailouts to large corporations, and rising inflation), highlighted the challenge of addressing the needs of all inhabitants of what is now Canada. The discovery of unmarked mass grave sites near Canada’s residential schools brought the intergenerational trauma among Indigenous communities to the fore, exposed the ongoing denial of genocidal policies and their impacts on public memory as well as broached Canada’s continued struggle to reconcile with Indigenous peoples, if reconciliation is even possible.

Canada’s nation-building practices, the formation and sustaining of its communities, and the negotiation of its political, societal, and cultural identities continue to be sculpted by multitudinous processes of contestation and reconciliation. To open and sustain a dialogue about the making and unmaking of Canada across a wide range of disciplinary, theoretical, and methodological approaches, we invite contributions along three thematic axes:

(1) Fragmented, Contested, and Reconciled Identities and Policies,
(2) (Un-)Making Canada in Literature, Art, and Media, and
(3) (Re-)Configuring Settler, Rural, and Urban Space(s).

Contributions from master’s and PhD students, early-career researchers, and
emerging scholars may include, but are not limited to:

● Memory culture(s) of fragmentation, contestation, or reconciliation (e.g.,
cultural amnesia, intergenerational trauma, Canada’s residential school
system, the 60s Scoop, national/public memory, ongoing injustices against
marginalized and vulnerable communities, Canadian exceptionalism),

● Everyday processes and practices of fragmentation, contestations, or
reconciliation within and between different communities (e.g., Indigenous
peoples, racialized communities, disabled people, the 2SLGBTQIA+
community, migrants, or religious groups, different linguistic groups),

● Literary and media (television and film, social media, digital and multimedia
arts) representations and/or negotiations of forms of fragmentation,
contestation, and reconciliation (e.g., misrepresentations/
underrepresentation/appropriations of Indigenous peoples, diversities, and
minorities, representations of national identity, or portrayals of public opinion
on key societal issues),

● Historical perspectives on contested or shifting practices of identity-building,
community formation, and nation-making (e.g., the politics of multiculturalism,
Indigenous self-determination/sovereignty, Canadian nationalism, settler
colonial, and imperial Canada, the post-national state),

● Current events (e.g., COVID-19, the war in Ukraine) and their role in the
fragmentation, contestation, and negotiation of Canadian political, societal,
and cultural issues and identities,

● The role of protest movements (e.g., Idle No More, MMIWG, women,
2SLGBTQIA+ rights, Black Lives Matter, climate justice, migrant rights,
Québec sovereignty, labor, white supremacy/white nationalism,
anti-vaccination, Trucker protest/”Freedom Convoy”) in the (un-) making of
Canada,

● Multi-scalar processes of fragmentation, contestation, and reconciliation
across rural and urban spaces in Canada (e.g., different place-/space-based
identities across ethnic, racial, and gender groups in urban and rural spaces,
Indigenous conceptions of land in urban and rural settings, socioeconomic
and political inequalities in these spaces).

Conference Components and Format
Presentation Panels: Panels include individual 20-minute presentations and
10-minute discussion sessions.
Idea Café: The Idea Café informally combines the presentation of new research
ideas and/or project posters with the opportunity for participants and guests to mingle
and engage in conversations with each other.

Abstract Submission
Panel Presentation: Please submit abstracts of max. 300 words and a short bio note of max. 150 words in English, French, or German to Yvonne K. Jende (ykjende@mail.upb.de), Louise Louw (louisielouw@gmail.com), and Emiliano Castillo Jara (s6emcast@uni-trier.de) by August 1st, 2022. Please outline which of the three main axes above your paper speaks to (if any).

Idea Café: Please submit a short idea/project outline of max. 150 words and a short bio note of max. 150 words in English, French, or German to to Yvonne K. Jende (ykjende@mail.upb.de), Louise Louw (louisielouw@gmail.com), and Emiliano Castillo Jara (s6emcast@uni-trier.de) by August 1st, 2022.

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Aktuelles Veranstaltungen

Charles R. Batson (Union College, USA): „Cirque du Soleil and Beyond: Quebec’s Expanding Circuses“ (Haus der Wissenschaft, Bremen)

Wednesday, June 15, 2022, 15.30-16.30 hours
Haus der Wissenschaft, Sandstr. 4/5, Bremen, Olbers-Saal

Poster

Abstract
With its billion-dollar annual revenue stream, its international touring shows and its striking cultural presence in such destination-cities as Las Vegas, Cirque du Soleil has greatly contributed to the image of Québec as a world-renowned capital of the circus arts. This talk offers an exploration of this brightly shining figure by anchoring it in historical and cultural specificities that helped shape the development of Québec’s highly influential cirque nouveau. The presentation examines ways in which we can see that Québec’s cirques is not just Cirque du Soleil, as Québec’s circus worlds find significant expansion beyond any one enterprise and beyond provincial and national borders.

Bio
Charles R. Batson is Professor of French and Francophone Studies at Union College, Schenectady, NY, and immediate Past President of the American Council for Québec Studies. He has published widely on Québecois, French, and Francophone cultural production and performance, including as co-editor, with Louis Patrick Leroux, of a compendium of essays on Québec’s contemporary circus called Cirque Global: Québec’s Expanding Circus Boundaries (McGill-Queens University Press, 2016). He is co-leading a series of research encounters in the new field of inquiry currently called Circus and Its Others.

Organized as part of the teacher training day “Kanada und Québec | Canada and Québec | le Canada et le Québec.” Inquiries and registration welcome: Dr. Paula von Gleich (bikqs@uni-bremen.de)

Kategorien
Aktuelles Call for Papers

CFP: Visual Cultures of the Circumpolar North – A NiCHE & Jackman Humanities Institute Series

Proposal Deadline: June 10, 2022

Series Publication: August & September 2022

In  partnership  with  NiCHE,  we  are  inviting  submissions  of  500-1000  words  for  a series  that  brings  together  interdisciplinary  perspectives  on  the  cultural,  social,  and environmental  dynamics  across  Indigenous  communities  and  settler  populations  in Alaska,  Canada,  Greenland,  the  Nordic  countries,  and  Russia  to  examine  the complex visual/textual  cultures  of this region.  Proposals of 150 words will be accepted until June 10th with publications running from  August through to the end of September.  If  you  are interested  in  contributing  to  this  series,  please  email  your  proposal  and  a  short  bio to  Isabelle  Gapp  at  isabelle.gapp  [@]  utoronto.ca.  Please  also  feel  free  to  write  to Isabelle  if  you would like any additional information or have any questions.  An honorarium  is  available  for  contributors  without  adequate  or  consistent  access  to institutional financial compensation, assistance or support.  For more information, pleaseconsult the following link:  https://niche-canada.org/2022/05/12/call-for-submissions-visual-cultures-of-the-circumpolar-north/

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Aktuelles Call for Papers

CFP: „Crisis“ and Forced Migration: Manifestations of power in a changing world – 14th Annual Conference of the Canadian Association for Refugee and Forced Migration Studies

Hosted virtually in collaboration with the Human Rights Program at St. Paul’s University College at the University of WaterlooNovember 2-4, 2022

Submission deadline: July 15, 2022

Detailed call for papers available at

https://pheedloop.com/carfms22/proposal/start/?call=CALXZ134B27KWAU

The 2022 CARFMS Conference will bring together researchers, policymakers, NGOs, practitioners, students, displaced persons, and advocates from diverse disciplinary and regional backgrounds to discuss how to claim, exercise, or resist power in responses to the multiple, overlapping global forced migration crises that currently face the world. The conference will feature keynote and plenary speeches from leaders in the field and refugees, and we welcome proposals for individual papers, organized panels and roundtables Contact Info: Anna Purkey, Assistant Professor and Director of the Human Rights Program at St. Paul’s University College at the University of Waterloo. Contact Email: apurkey@uwaterloo.ca

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Aktuelles Veranstaltungen

Jennifer Dummer: „Chanson, Rock, Pop, Rap – die vielfältige, bunte und belebte Musiklandschaft Québecs“ (Zoom)

Donnerstag, den 9. Juni 2022; Beginn: 8.30 Uhr über Zoom
Übertragung in Raum S213

Universität Regensburg, Institut für Romanistik
Anmeldung und Zoom-Zugang über dagmar.schmelzer@ur.de

Die Musikszene der frankokanadischen Provinz ist von vielen Einflussen geprägt. Ein Blick in die Geschichte Québecs zeigt, woher diese kommen und auch welche Umbrüche und Krisen es gab. Die Analyse ausgewahlter Lieder zeigt zudem, was die Québecer Musik kennzeichnet. Dass die Szene heute so vielfaltig und belebt ist, liegt auch an umfangreichen Förderangeboten verschiedener Institutionen und an zahlreichen Plattformen, die die lokale Musikszene präsentieren.

Jennifer Dummer studierte französische Literaturwissenschaft in Mainz, Berlin und Montréal. Auf jennismusikbloqc.com und quelesen.com informiert sie über die Québecer Musik- und Literaturszene. 2020 erschien ihre zweisprachige Anthologie Pareil, mais différent — Genauso, nur anders (dtv) mit Kurzgeschichten von frankokanadischen und Québecer Autor-innen, 2021 folgten die Bücher Uiesh —Irgendwo von Joséphine Bacon und Reiz der Rache von J. D. Kurtness, die sie zusammen mit Andreas Jandl für den Berliner KLAK Verlag übersetzt hat. www.jenniferdummer.com