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CfP: „Restorying Canada: Reconsidering Religion and the Public Memory“

Conference, 18 – 20 May 2017, Institute of Canadian and Aboriginal Studies, University of Ottawa, Ottawa, ON/Canada

The 150th anniversary of Canadian Confederation, coming as it does in the aftermath of the landmark Truth and Reconciliation Commission, is an ideal moment to re-examine the stories told of Canada’s past. Restorying Canada will inspire bold challenges to historiographic conventions of how we remember, invite critique as well as celebration, and explore multiple media and genres for evoking and interrogating the past, privileging artistic creativity along with academic rigour.

Religion has played a crucial, if understudied role in Canadian history: serving as the engine of residential schools, forming the still-extant „two solitudes,“ inspiring collective visions of state responsibility for health care, and shaping a multicultural identity. In keeping with the urgency of the TRC’s „Calls for Action,“ the conference will also highlight contemporary explorations of the troubled relationships between indigenous and non-indigenous peoples, including the legacies of religious, cultural, and linguistic imposition and resistance. Restorying Canada asks a few fundamental questions: How does our understanding of our past impact our present? What aspects of our nation’s history have gone un-told, been forgotten, or been systematically repressed? How have the complex interrelationships among Canada’s religious communities changed? Perhaps more troublingly, how have they remained the same?

Conference keynote speakers include novelist Margaret Atwood, Poet Laureate of Canada George Elliott Clarke, and filmmaker Zarqa Nawaz. Each speaker’s ground-breaking work in their diverse fields of endeavor has encouraged creative and critical re-imagination of Canada’s collective past and its ambiguous legacy; they have participated in „restorying“ Canada.

The organizers invite proposals for individual papers and full panels from scholars, graduate students, artists, writers, filmmakers, educators, journalists, public policy professionals, community activists and others. The Conference will bring together people from multiple fields of expertise who are working on projects broadly related to the theme of religion and public memory in Canada that consider the multiple nations that brought this country into being. The organizers welcome proposals in areas such as the study of religion, history, anthropology, Indigenous studies, law, museum studies, political theory, literature, art, media studies, environmental studies, and archaeology. Since Restorying Canada is considered to include diverse modes of storytelling, the organizers encourage proposals for both traditional and innovative forms of presentation.

Possible topics include (but are not limited to):

  • Creative and ritual practices of memorialization, reconciliation, and storytelling
  • Indigenous/settler relations, 1600 to the present
  • Religion as inspiration for utopian and dystopian visions
  • Museums, collectors, and material culture as agents of religion and public memory
  • “Secularism,” “multiculturalism” and “religion” as contested categories
  • Environmental, geographic, and ecological aspects of religious engagement
  • Religion, immigration, and the “values” of Canadians
  • Acculturation, appropriation, and the politics of “majority” and “minority” religions
  • Religion and changing economic practices/ideals

Deadline for submissions: 3 March 2017

For more information and to submit a proposal, please go to their website.

Organizing team:
Emma Anderson, University of Ottawa;
Hillary Kaell, Concordia University;
Pamela Klassen, University of Toronto

Contact Email.

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Aktuelles Call for Papers

CfP: „The Life of Others: Narratives of Vulnerability“

Special Issue of Canada & Beyond: A Journal of Canadian Literary and Cultural Studies (Spring 2018 issue)

In her Levinasian discussion of the functioning of ethical obligations in the face of global and local forms of precarity, Judith Butler links the production of vulnerability with a situation of „up againstness“ or „unwilled adjacency,“ of one’s involvement in a relation of proximity that has not been chosen (134). Vulnerability in those cases arises from the realization that „one’s life is also the life of others,“ and that „the bounded and living appearance of the body is the condition of being exposed to the other, exposed to solicitation, seduction, passion, injury, exposed in ways that sustain us but also in ways that can destroy us“ (141). Itself the site of production of various forms of violence and vulnerability, this adjacency also triggers the affective and creative engagements necessary for action (134).

These seem crucial issues in Canada, where contemporary debates over citizenship and social justice often take place within complex transnational, transcultural, and (post)colonial contexts as well as beside the historical experiences of settlement and migration, with their contested forms of national or cultural belonging. Additionally, Canada’s humanitarian tradition, itself marked by convoluted narratives, is increasingly challenged by new conditions of global violence, environmental threats, social and political unrest. Canadian literatures do not merely reflect on these conditions but engage with them, exploring the aesthetic possibilities of what could be thought of as a reconnection between the text and the world. How does cultural production articulate and propose strategies of resistance to the massice production of vulnerability? Are the examples of resilience offered by Canadian literature, film, performance and visual arts able to reactivate ethical responsibility and political activism?

This special issue invites contributors to offer a critical examination of Canadian cultural production with an emphasis on the discursive modes that deconstruct the hegemonic structures that produce vulnerability. The editors also wish to invite research articles that interpret the present condition of (un)willed adjacency in its real and metaphoric possibilities as a site of production of violence and vulnerability, but also (potentially) of lucid creativity, exposing, soliciting, seducing „in ways that sustain us but also in ways that can destroy us.“

Possible areas of interest include (but are not limited to):

  • urban poverty
  • the medicalized body
  • indigenous activism
  • colonial violence
  • migration and war narratives
  • ecological vulnerability
  • the posthuman seduction
  • emotional precarity
  • sexuality and (trans)narrative desire
  • gender and agency
  • technological liquidity
  • queer creativities
  • precarious labour
  • (non)narratives of resistance
  • narrative ethics and the post truth-moment

Comparatist and interdisciplinary approaches are most welcome.

All submissions to Canada & Beyond must be original, unpublished work. Articles, between 6.000 and 7.500 words in length, including endnotes and works cited, should follow current MLA bibliographic format.

Submissions should be uploaded to Canada & Beyond’s online submissions system (OJS) by the deadline of June 1st, 2017. They will be peer-reviewed for the Spring 2018 issue.

Work Cited:
Butler, Judith. 2010. „Precarious Life, Vulnerability, and the Ethics of Cohabitation.“ The Journal of Speculative Philosophy 26.2: 134 – 151.

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Aktuelles Call for Papers Veranstaltungen

CfP: „Changing Social Connections in Time and Space“

42nd Annual Meeting of the Social Science History Association (SSHA), November 2 – 5, 2017, Montreal, Quebec/Canada

The Race/Ethnicity network of the Social Science History Association welcomes submissions to this year’s conference theme „Changing Social Connections in Time and Space.“ Papers and panels on topics that address the conference theme are welcome, including:

  • „Scholars Ignored:“ Patterns of Exclusion in Academia
  • Social Movements and Politics
  • History and Memories of Rights Battles
  • Pedagogy, preservation/continuity of struggle
  • Defining an Intersectional Politics
  • Sexuality, Solidarities, and Networks of Activism
  • Race and Politics: Panels addressing the contemporary political situation
  • The Far Right Movements
  • The Far Right and Racialization
  • Reisstance to Far Right Movements
  • White Nationalism, the construction of Whiteness
  • Refugees
  • Racialization
  • Criminalization as Racialization
  • Spatialization of Racialization (e.g. ghettos and internment camps)
  • Intersections of Race and Religion
  • First Nations: Histories, Activism

The deadline for sumbission of abstracts is March 3, 2017, and the submission portal is now open at this web address. Please not: All SSHA requires to submit at this point is an abstract. You can find more information at the SSHA’s website.

Graduate student papers are especially welcome and funding is available to assist with conference travel. The new application process for funding can be found here. If you would be interested in putting together an entire session, please let the organizers know and they would be happy to provide you with the details as to how to do this.

Contact info:
Joseph O. Jewell
Liz Onasch
Marisela Martinez-Cola

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Aktuelles Call for Papers Veranstaltungen

CfP: Reckoning with Canada at 150: Critical Perspectives and Indigenous Sovereignty

Student-Focused Conference, March 18, 2017, Centre for Indigenous Research, Culture, Landuage and Education (CIRCLE), Carleton University (Algonquin Territory), Orrawa, ON/Canada

Carleton University’s Centre for Indigenous Research, Culture, Language and Education (CIRCLE) and the Indigenous and Canadian Studies Graduate Community (ICGC) is pleased to announce its fourth annual student research conference that will take place on March 18, 2017 at Carleton University.

The theme of this year’s event is Reckoning with Canada at 150: Critical Perspectives and Indigenous Sovereignties with a special keynote address by Nēhiyaw writer and community organizer Erica Violet Lee. This will be a forum for both Indigenous and non- Indigenous researchers, students, activists and artists to come together to share their work. In light of Canada’s 150th anniversary, we are looking to centre insights that critically engage with Indigenous experiences and realities. We encourage participation by artists, activists, organizers, community members and all experts (academic and non-academic).

The proposed sub-themes are:

  • Our Responsibilities to Our Mother: Land Defence and Water Protection – Reconciliation; for Whom?
  • Decolonizing Settler Logic and Imagining the Next 150 years on Turtle Island
  • Queering, Unsettling and (de)Gendering the 150th
  • Self-Care, Refusal and Healing in the Academy
  • Sacred Spaces and Spirituality as Places of Learning and Refuge
  • Decolonial Practices and Positionalities
  • Immersive Approaches to Indigenous Language Teaching
  • Digital Disruption and Decolonial Technology

Participation can be in the form of a paper presentation, a presentation of work-in-progress, workshops, paper panels, roundtable discussions, artistic performances (music, storytelling, etc) and more. Presentations by individuals will be limited to 20 minutes with an additional 10 minutes for discussion. Workshops, roundtables and panels will be limited to 90-120 minutes, based on number of participants.

Individual proposals should be 250 words in length and clearly outline the topic of your research, and the nature and format of your anticipated involvement. Performances and workshop proposals should indicate the nature of the expressive art or workshop. Panel and roundtable proposals should be 400 words in length and include an overall description, a title, individual paper titles, and the contributions of individual participants.

The deadline for submissions is February 3rd, 2017. Submit your proposals via email and clearly identify your name, academic or community affiliation, and proposal title in the body of the email. Any questions can also be sent to this address. Applicants will be contacted by February 15th to confirm participation. Further information about the conference will be posted on the CIRCLE website.

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Appel de textes pour la revue Contact+

Dossier : « Pour une littérature-monde en français : le Canada »

La revue à comité de lecture de l’Association des Professeurs de Français de Formation Universitaire (Grèce), Contact+ se propose de publier, à un rythme régulier, une série d’hommages aux littératures de langue française (hors Hexagone) sous le titre : Pour une littérature-monde en français : son objectif est de jeter un regard nouveau sur les littératures de langue française hors de France, de favoriser l’avancement des connaissances sur la littérature-monde en français, de sensibiliser et de familiariser le public grec avec les différents courants et systèmes (idéologiques, culturels, etc.) qui participent aux évolutions des formes et des écritures d’hier, d’aujourd’hui et de demain, les littératures d’expression française étant un passeport pour comprendre la diversité ou « le dialogue des cultures » (Léopold Sédar Senghor).

Pour ce premier numéro thématique, le pays qui inaugurera/ouvrira la série est le Canada. Dans le cadre de ce numéro, nous nous intéresserons à la littérature canadienne et, plus particulièrement, à deux de ses trois grandes traditions : la littérature canadienne-française (hors Québec) et la littérature québécoise.

Dans le sillage du débat suscité par la publication du manifeste intitulé « Pour une littérature-monde en français », paru dans Le Monde en mai 2007, ce numéro propose de mettre à l’honneur des écrivains, des poètes et des dramaturges associés aux productions littéraires canadienne-française et québécoise, dans une nouvelle dynamique transversale. Comment ces écrivains mettent-ils en oeuvre les différents moyens d’expression que leur fournit la langue française ? Aborder les littératures canadienne-française et québécoise à la fois sur le plan synchronique et diachronique constitue l’enjeu principal du projet. Sans nullement prétendre à l’exhaustivité – ce qui, au demeurant, dépasserait l’ambition de ce numéro dont la thématique est déjà très vaste –, nous voulons tout simplement donner un aperçu tant soit peu substantiel de la production littéraire du Canada, notre Association ayant comme mission l’étude, la promotion, le développement, la diffusion de la langue et de la culture françaises en Grèce. Faire connaître une autre littérature de langue française qui n’a pas été systématiquement étudiée en Grèce, c’est ouvrir une fenêtre sur le monde francophone ; c’est aussi ouvrir le débat sur la littérature du Canada et susciter l’intérêt scientifique.

Pour définir le concept de « littérature-monde », nous citons quelques extraits du célèbre manifeste :

Littérature-monde parce que, à l’évidence multiples, diverses, sont aujourd’hui les littératures de langue françaises de par le monde, formant un vaste ensemble dont les ramifications enlacent plusieurs continents. Mais littérature-monde, aussi, parce que partout celles-ci nous disent le monde qui devant nous émerge, et ce faisant retrouvent après des décennies « d’interdit de la fiction » ce qui depuis toujours a été le fait des artistes, des romanciers, des créateurs : la tâche de donner voix et visage à l’inconnu du monde – à l’inconnu en nous. Enfin, si nous percevons partout cette effervescence créatrice, c’est que quelque chose en France même s’est remis en mouvement où la jeune génération, débarrassée de l’ère du soupçon, s’empare sans complexe des ingrédients de la fiction pour ouvrir de nouvelles voies romanesques. En sorte que le temps nous paraît venu d’une renaissance, d’un dialogue dans un vaste ensemble polyphonique, sans souci d’on ne sait quel combat pour ou contre la prééminence de telle ou telle langue ou d’un quelconque « impérialisme culturel ». Le centre relégué au milieu d’autres centres, c’est à la formation d’une constellation que nous assistons, où la langue libérée de son pacte exclusif avec la nation, libre désormais de tout pouvoir autre que ceux de la poésie et de l’imaginaire, n’aura pour frontières que celles de l’esprit.

Nous avons l’intention d’établir ce dialogue « dans ce vaste ensemble polyphonique » en donnant, en premier, « voix et visage » à la littérature du Canada. Dans cette optique, nous sollicitons des soumissions/contributions inédites sur les thématiques présentées ci-après et qui sont loin d’être exhaustives.

Tout d’abord, comme nous venons de le signaler, nous nous limiterons à la littérature canadienne-française et à la littérature québécoise contemporaines (XXe et XXIe siècles) : idéologie, 

identité, culture. Non pas que les siècles précédant le XXe siècle ne soient pas importants, mais c’est pendant le XXe siècle que les courants de pensées et, surtout, la littérature ont subi le plus des transformations.

La revue Contact+ encourage les universitaires, les chercheurs, les collègues à proposer toute contribution s’inscrivant dans la thématique susmentionnée. À titre d’exemple, les contributions peuvent porter sur :

  • un courant dans une perspective de l’histoire littéraire (terroir, avant-garde, décentrement littéraire, bouleversements, années fastes ou de crise, etc.), ainsi que sur les questionnements qu’il dégage ;
  • une question sur un auteur, poète, dramaturge des XXe et XXIesiècles (littérature canadienne-française : Marguerite Andersen, David Baudemont, Éric Cormier, Robert Dickson, Simone Chaput, Hélène Harbec, Gérald Leblanc, Didier Leclair, Françoise Lepage, Andrée Christensen, Léonard Forest, François Paré, etc. ; littérature québécoise : Anne Hébert, Germaine Guèvremont, André Langevin, Gabrielle Roy, Alain Grandbois, Gilles Hénault, Gaston Miron, Jacques Ferron, André Majon, Jean Bouthillette, Alphonse Piché, Denis Vanier, Lucien Francoeur, André Loiselet, Nancy Huston, Félix Leclerc, Nicole Brossard, France Théoret, François Charron, etc.) ;
  • un thème particulier (exil, voyage, politique, combat, déchirement, etc.), un mythe ou un épisode mythique (Orphée, Narcisse, Médée, Jésus-Christ, Babel, déluge, etc.) et leur manifestation chez tel ou tel auteur ;
  • la religion et la quête spirituelle ;
  • le rapport entre le texte littéraire et le texte filmique, entre le texte littéraire et la représentation picturale ;
  • les études de genre ;
  • l’espace et/ou la géocritique ;
  • les relations entre la littérature du Canada et la littérature française dans une perspective comparatiste ;
  •  …

Des contributions qui font le point sur le bilinguisme et le plurilinguisme au Canada, ainsi que sur les politiques éducatives et linguistiques sont également les bienvenues. Elles feront l’objet d’une publication à part. 

Les textes soumis à l’évaluation du comité scientifique pourront suivre des approches diverses (historique, artistique, esthétique, littéraire, comparatiste, didactique).

Vos contributions accompagnées de vos coordonnées (prénom, nom, fonction, courriel) sont à envoyer par courriel avant le 18 juin 2017, à cet adresse e-mail. Elles ne devront pas dépasser 4000 mots (30.000 signes environ), notes et références bibliographiques comprises.

Le Rédacteur en chef-
Christos NIKOU